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Movie Review: The Creator (2023)

Imagine this: a world recovering from a nuclear meltdown in Los Angeles, humans clashing with artificial intelligence, and some seriously intense character development and world-building.

The Creator (2023): An Innovative Story and Fresh World Building

Hey there, fellow cinephiles! So, I recently had the chance to dive headfirst into Gareth Edwards’ 2023 science fiction flick, “The Creator,” and let me tell you, it was quite the cinematic rollercoaster. Imagine this: a world recovering from a nuclear meltdown in Los Angeles, humans clashing with artificial intelligence, and some seriously intense character development and world-building. Let’s chat about my experience with this movie.

Picture this – Act 1, and I’m immediately swept away by the jaw-dropping world Gareth Edwards crafted. The decimated ruins of L.A. and the vibrant cityscapes of New Asia were nothing short of breathtaking. Edwards was heavily inspired by classics like “Blade Runner” and “Akira,” and you could see those influences in every frame. The world-building wasn’t just visual; it was a full-on immersion into a future that felt equal parts awe-inspiring and eerily plausible.

Now, Act 2 rolls around, and we meet our main man, Joshua Taylor, played by the incredible John David Washington. Joshua, an ex-special forces agent with a tragic past, was portrayed with such depth that you couldn’t help but root for the guy. I found myself empathizing with his journey of resilience and redemption. And speaking of characters, we also meet Alphie, a robot with a knack for controlling technology, played by Madeleine Yuna Voyles. Alphie’s evolution from a tool to a potential savior was a character arc that had me hooked.

Fast forward to Act 3, and things get spicy. Joshua gets recruited for a mission that promises a reunion with his presumed-dead wife, Maya, who turns out to be Nirmata, the new leader of AI advancements. This twist added a whole layer of complexity to the story, diving deep into questions of morality and the ever-evolving relationship between humanity and tech.

Act 4? Well, that’s when things kick into high gear. The plot charges ahead, and Joshua and Alphie’s bond grows stronger. Their mission to protect Alphie from those who see her as a weapon becomes the emotional heart of the film. And let’s not forget those epic battle scenes and the USS NOMAD – that military space station was a visual marvel, adding a unique twist to the story.

Finally, Act 5 delivers a climactic showdown where Joshua and Alphie face off against the forces determined to keep the war going. The resolution of their character arcs was a mix of heartache and satisfaction, and the choices they made would shape the future of humanity and AI.

Now, here’s the thing – “The Creator” might not have offered the most groundbreaking storyline out there, but what it lacked in originality, it more than made up for with its mind-blowing world-building and character development. Gareth Edwards’ attention to detail in crafting this immersive world left me seriously impressed. The characters, especially Joshua and Alphie, went through some profound growth throughout the film, making their journey emotionally resonant.

In the end, my adventure through “The Creator” was a delightful exploration of how character development and world-building can elevate a sci-fi story. While the plot may have had some familiar elements, the film’s ability to create a breathtaking world and breathe life into its characters made it an unforgettable experience. “The Creator” reminded me that in the world of sci-fi, it’s not just about the story – it’s about the depth of characters and the richness of the world they inhabit that can truly make a movie shine. It was a journey I won’t be forgetting anytime soon – a journey into the heart of imagination and storytelling. So, if you’re a sci-fi fan, give “The Creator” a go and let yourself get lost in its mesmerizing world. You won’t regret it!


Sukanya Basu Mallik‘s works have been featured in Reader’s Digest, Times of India, SahityaAkademi, Writer’s Life, UK, AIPF Int. Anthology ( Diverse City Youth Contest, Austin, US), etc. Bestowed with Best Manuscript Awards for fiction & non-fiction categories (Mumbai Litofest, 2018), she has also been recognized for her short story ‘Healing of Wounds’ at NCLF, led by Ruskin Bond. She’s currently pursuing a PhD at IIT Madras in organizational behavior, her subject being using art-based therapies for enhancing teaching-learning effectiveness using immersive technologies. You can also check her previous reviews published here:

the ugly writers
the ugly writers
the ugly writers

Sukanya Basu Mallik

Sukanya Basu Mallik

Sukanya Basu Mallik is a multi-genre author, film and book critic.
She has been published in various journals, magazines, and
anthologies nationally and internationally including Reader’s Digest,
Times Of India,Sahitya Akademi Bimonthly Journal, Lucidity Int.
Poetry Journal, SEAL (South East Asian Literature) festival
anthologies and AIPF Int. Anthology (Austin International Poetry
Festival). She has also received a number of awards; The Best
Manuscript Awards for fiction & non-fiction categories (Mumbai
Literature Festival 2018)etc. Her short
story ‘Healing of wounds’ has been awarded a certificate of merit by
National Children’s Literature Festival led by eminent author, Ruskin Bond. Her latest
releases include Mocktail and#Metoo. Her movie reviews have been
published in various newspapers and journals of repute like 'Just film' magazine, Different truths,
'Creation and Criticism'
ISSN: 2455-9687

(A Quarterly International Peer-reviewed Refereed e-Journal

Devoted to English Language and Literature)
And many more. Her
research paper 'Voicing of perspective through creativity – an in-
depth analysis of Devika Das’s works'. has been published by 'The Expression: An International Multidisciplinary e-
Journal', ISSN: 2395-4132 (Online)| A Peer-Reviewed Journal |
Impact Factor: 3.9. She's the only undergraduate student to be
considered for a research paper publication by the journal so far.

Articles: 8

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